The Attic at the Garage in Glasgow is fast becoming a proving ground for rising alternative talent (shout out to Dan the manager who was extremely helpful and attentive on the night). What blew me away was the number of people travelling from as far as Chester and Manchester just to see the headliners. It’s clear that Since 2000 are already building a reputation that is going to go from strength to strength.
Opening the night were death thrash newcomers Vipera, who wasted absolutely no time heating up the room by launching straight into a cover of “Break Stuff” by Limp Bizkit. It was a bold choice and instantly got heads banging across the Attic. The set almost went from 100 to 0, though, when the bassist’s lowest string snapped mid-song. However, instead of panicking, the band handled it well with a bit of humour and quick thinking before jumping straight back into the chaos. Despite the hiccup, Vipera powered through a set packed with originals that leaned heavily into old-school thrash territory. Judging by the number of fans already crowding the front – and how many seemed to know the songs – they’re clearly building a loyal following. The drumming alone was worth the ticket price this early in the night; it was relentless, borderline “repetitive strain injury” levels of energy. Then came one of the night’s most entertaining moments – something I’ve never seen: a three-person circle pit. Or perhaps more accurately… a triangle pit. I loved it!
Next up were Glasgow’s own SOUP, shifting the atmosphere from thrash chaos to something moodier and more atmospheric. Their opening track carried a textured sound reminiscent of the dreamy heaviness associated with Deftones. They quickly moved into a more bass-driven track with a clunky, alternative emo-pop feel. The standout element here was the vocalist, whose soaring delivery had the kind of powerful ballad energy that I could compare to Myles Kennedy. One of the band’s most distinctive touches was their use of retro synth textures – I’m such an 80s fan, so this sound always wins me over. The track “Despair” clearly struck a chord with the crowd and drew one of the biggest reactions of their set. Then, just when you thought you’d figured them out, the vocalist casually dropped into a rap section out of nowhere – an unexpected but entertaining twist that showed SOUP aren’t afraid to step out and do something different.
The final support band followed, and by the time Foxhaunt hit the stage, the room was buzzing. The Leeds band already had plenty of fans in the crowd, and the reception made it clear they’d been eagerly anticipated. Their sound carried a punchy alt-rock energy that reminded me of Alien Ant Farm with the vocals and those 2000s vibes. The tight vocal harmonies gave their sound an extra layer, and I hope they enjoyed their first visit to Glasgow. By the crowd’s reaction, I have a feeling we will be seeing them again soon. Their latest single “Gasoline” – released in December – hit me with serious impact thanks to a heavy opening riff. At one point, the band challenged the entire crowd to get to the ground and jump simultaneously on the beat. Surprisingly, almost everyone obliged, sending the floor bouncing in unison.
When Since 2000 finally took the stage, the anticipation in the Attic was obvious. They opened with “Lost Boys”, a perfect set starter that immediately showed why people had travelled across the UK to see them. This is one of my favourites, so I had a feeling the setlist was not going to disappoint. Lead singer Dan wasted no time getting the room involved, asking “Are you feeling alive, Glasgow? Then I need you to bounce.” And bounce we did! The band’s confidence on stage was clear, with Dan pausing between songs to grin and say, “We’re Since 2000 – it’s nice to see you.” At one point someone ended up on a friend’s shoulders, but they quickly hopped down after being spotted by security.
Musically, the band leaned heavily into cinematic presentation. Between songs, they even played a short, eerie monologue sampled from Apocalypse Now, adding a dramatic atmosphere. Mid-set, Dan pushed the crowd further, shouting “Energy’s at a six… I need it to be a nine!” before launching into “Running From My Crimes.” They also revisited older material with “The Ballad of Narcissus and Echo,” a song about the emotions of toxic relationships. Vocally, the dynamic between Dan and Kyle (bass/vocals) stood out throughout the set; their mix of melodic singing and harsh screams blended effortlessly. Behind them, Reuben’s drumming was relentless – tight, explosive, and cinematic – while Scott’s luminous orange guitar was impossible to miss and sounded as good as it looked.
Things kicked back into high gear with the fan favourite “Antidote.” Before the chorus, Dan taught the crowd the line they’d soon be shouting back at full volume: “Let me fucking breathe!” As if that wasn’t enough, a bubble gun appeared onstage moments later, earning one of the loudest reactions of the night. A slower, emotional track followed – likely something new from their upcoming April EP. The song had a vulnerable, cinematic quality that held the room in silence as phone torches lit the crowd. The band took a moment to acknowledge the milestone of selling out the show, and I want to add a huge congratulations to them. Just two years into their journey, they thanked the fans for backing the local music scene.
Then came the final stretch. “HELLelujah” caused a massive response, made even more special when Laura from Lo Rays appeared onstage to perform her featured part live. Considering the song had only been out a few days, the audience already knew exactly what they wanted to hear. The band closed with “Shuddering,” a clear fan favourite that sent the crowd into one last blast of energy. Seeing Since 2000, one thing is obvious: they aren’t just another emerging alternative band. The songwriting, theatrical stage ideas, and genuine connection with their audience all point towards a massive future. This sold-out show proves they’re not just going places – they’re already well on their way.
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Header photo by Victoria Sykes @vix.visual
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