Hellripper’s latest release, Coronach, marks a thrilling new chapter for Scotland’s premier blackened thrash metal act. Known for their relentless energy and raw, infectious riffs, Hellripper continue to push boundaries while staying true to the roots of their sound. Formed as a solo project in 2014 by James McBain in Aberdeen (we talked to him recently), Hellripper quickly gained traction in the underground metal scene with their debut EP and subsequent albums. As a one-man project, McBain has steered the band through a series of acclaimed releases, including Coagulating Darkness (2017), The Affair of the Poisons (2020), and Warlocks Grim & Withered Hags (2023). Notable for their DIY ethos and relentless touring, Hellripper have earned a reputation for electrifying live performances and have been recognised as torchbearers for the modern blackened thrash movement.
Hellripper’s music is a potent blend of black metal, thrash, and speed metal, drawing influences from the likes of Venom, Bathory, and Motörhead. Their signature sound features razor-sharp guitar riffs, breakneck tempos, and snarling vocals, all wrapped in dark, occult-themed lyricism. McBain’s songwriting consistently balances aggression with catchy hooks, making Hellripper accessible to both seasoned metalheads and newcomers. The band’s production style has grown increasingly polished over the years, without sacrificing the raw energy that defines their identity.
Coronach builds upon the foundations laid by Hellripper’s previous three studio albums. Compared to Coagulating Darkness, which was characterised by rawness and speed, Coronach exhibits greater sophistication in its arrangements and production. The Affair of the Poisons introduced more melodic elements and a wider range of influences, while Warlocks Grim & Withered Hags saw the band exploring atmospheric textures. Coronach, by contrast, fuses these developments into a cohesive, dynamic record, offering both the visceral punch of earlier releases and the nuanced musicianship of recent works.
A common theme throughout this album is well placed and natural experimentation weaved in amongst that core Hellripper sound. Coronach opens with “Hunderprest,” immediately setting the tone with a blast of furious riffing and thunderous drumming. McBain’s vocals are as venomous as ever on a backdrop of synth-infused harsh melodics and rampaging fury. The hooks are catchy without losing that distinct Hellripper sound; especially when the screaming guitar solo comes into play. What makes this track stand out (which is a bold statement considering it’s the opening track of the album,) is the atmosphere. “Hunderprest” tells the legendary Scottish folklore story of the 12th century vampiric figure of Melrose Abbey and the use of creepy synths and the introduction of brief, gothic “Peter Steele style” spoken word style of vocals really amplifies the dark subject matter. On to “Kinchyle (Goatkraft and Granite),” we begin to see more examples of experimentation whilst staying true to Hellripper’s core and origins. “Kinchyle” is frantic, blackened thrash/speed metal through and through with punk-infused groove, catchy hooks, gang cries and explosive energy. McBain utilises his trademark blackened screams but also introduces the use of low, death metal roars on occasion to create a layered, vocal delivery. The interplay between the melodics and aggressive rhythm showcases Hellripper’s matured songwriting.
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“The Art of Resurrection” offers a brief reprieve, opening with somber piano and orchestration before ripping out the relentless pace and razor-edged guitar tone blended with atmospheric elements, adding depth without detracting from its ferocity. “Baobhan Sith (Waltz of the Damned)” is the stuff of folklore and nightmares, a dramatic waltz from the depths of hell itself complete with thrashy goodness and an eerie harmonies. The Baobhan Sith in Scottish folklore is a sinister female Faerie, similar to a succubus. The story goes that a group of four hunters took refuge in a hut at night and began to sing and dance. This attracted the Baobhan Sith who went on to slaughter all but one hunter who managed to escape. The waltz-like tone of the chorus in this track perfectly symbolises the story, turning it into a fully immersive, thrashy experience.
“Blakk Satanik Fvkkstorm” and “Sculptor’s Cave” are classic Hellripper, returning to high-speed chaos and showcasing their thrash/speed metal roots. The relentless drumming, screaming solos and blistering riffs drive the tracks forward fully backed by McBain’s venomous screams. “Mortercheyn” brings a darker, more atmospheric vibe, utilising haunting melodies and intense energy whilst maintaining the furious, thrash metal pace. The production is crisp, allowing each instrument to shine without losing the sense of menace; plus, who doesn’t like a cowbell?
The album closes with the title track, an epic, multi-layered composition. A lamenting, funeral cry which serves to be the longest, most atmospheric and impactful track of the entire album. The track weaves together all the elements explored throughout the album featuring dramatic shifts, dark melodics, bagpipes and atmospheric grandeur. It features the introduction of cleaner, despairing vocals alongside the gothic, spoken word moments and death metal growls introduced at the beginning of the album. McBain’s poisonous screams are still prevalent throughout the track but are more potent alongside the other vocal styles. The title track is the crowning glory of the album, perfectly balancing grandiosity with melancholic atmosphere and brutal aggression.
Coronach is an incredible addition to Hellripper’s discography, demonstrating both growth and fidelity to their roots. The album’s balance of ferocity and finesse, combined with its adventurous spirit, makes it a must-listen for fans of blackened thrash and heavy metal alike. While Coronach is consistently strong, some listeners may find the polished production less raw than earlier releases. Additionally, the experimentation with slower, atmospheric passages could divide fans who prefer the band’s traditional speed-driven approach. However, regardless of what the internet naysayers think, this album is incredible. Hellripper have once again proven their place at the forefront of the genre, delivering a record that is both exhilarating and memorable. ALL HAIL THE GOAT.
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Coronach is out on March 27th via Century Media Records.
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